Feeling a little
under the weather today as we head into yet another glorious, jam-packed
weekend. Alas that there will be no rest for the weary. However, one thing that
won’t be on my list of things to work on will be the revision of my most recent
project. I have spent the last few weeks updating and lengthening a short story
I wrote a few years ago, prepping it for publication. And this week I put the
final touches on it and at long last let it go!
The piece went from
about 5,500 words to 10,700 words in a matter of days. Clearly, that story had
more to say than I thought.
And now that it has
been polished, stretched, corrected, and otherwise smoothed to perfection (as
close as I can manage without the eye of an industry professional), it’s time
to concentrate on submissions.
I’ve already sent
the piece off to my top choice. The beautiful thing about writing short stories
for publication is that it’s incredibly easy to get them submitted. Most
journals will only accept electronic submissions these days, and complex cover
letters and queries are a thing of the past for their over-worked editorial
offices. You simply give them the basic data (word count, genre, etc), send
them a file that fits their specifications (usually .doc or .rtf) and voila!
The piece is on its way, out in the big bad world of editorial consideration.
One truly
unfortunate thing about writing short stories, however, is that you can wait
just as long, if not longer, to hear from a literary journal considering your
10,000 word piece as you can wait to hear from a literary agent considering your
100,000 word piece. Except in the journals world, most Editors specifically frown down upon
simultaneous submissions.
Submitting a work to
many different Editors at once is the practical, efficient way to get published
from an author’s point of view. This is the name of the game when you are
submitting work to literary agents and publishing houses directly. Similarly, if
you have a group of five journals that are all equally prestigious, it makes
sense to send the piece to all five at once, rather than spend the next two
years waiting on three to six month reading periods from each one. For one
story.
The problem is, if
you are the type of writer who cares at all about reading the author
guidelines, you’ll probably notice that a great many will assert that this
behavior is not allowed. If an Editor finally decides that they want your work,
and you return saying that you have already sold it elsewhere, they will
remember that. Some say they will remember it forever.
In a smaller community
(such as, oh, say, science fiction short story journals) that blot on your name
will get passed around, and may end up biting you in the butt for the rest of
your career.
Am I being
hyperbolic? Perhaps. But most of the advice that I have seen on the subject
agrees with the above scenario. Editors do not like wasting their limited time
chasing after authors who have already passed on to someone else. It is
expected in this line of work that authors submitting to journals should wait
on each rejection one by one.
Is this fair? Not
necessarily. Waiting to hear from a journal about your work is excruciating and
tense. I sent my submission not two days ago and I’m already feeling the
strain. And my first choice journal has a maximum wait time of about seven
months. The fact that I could be celebrating Christmas again before I hear about a
rejection or acceptance does grind my gears just a bit.
But I would rather
do the time and be respectful to the rules of this particular journal than risk
burning a bridge by jumping the gun and sending the story off to many journals
at once. After all, the story can only be published in one of them. It is
better to make one Editor happy than make six Editors mad. Do the math.
Also, don’t be tempted to pester the Editors with follow-up emails. No answer means no answer –
very few offices will forget to respond to your work in some form or fashion,
even if that means a stock rejection letter. You should only start considering
a follow up if the average wait time has passed. If a journal estimates that it
takes them about seven months maximum to respond to all submissions, send them
a line in month eight. Not before.
Don’t be
disheartened though! You are in good company while you wait, and there are
things that you can do to pass the time. Most importantly, you can get to work
on that next project. Just because you finished one thing and are waiting to
see it published doesn’t mean that you don’t have other things you can be
working on. If you want to really distract yourself from checking your email
every two seconds for the next five months, playing a billion games of
Solitaire is probably not the answer. I highly recommend you pick another
project and throw yourself into it.
For me, that will be
returning to the outlining phase of my first novel. That’s still on the books,
and I’m really looking forward to it. There are a few pages written here and
there, and half the outline is done. We’re making good progress, and it will
certainly be a great distraction from the waiting game.
Let me know what you
do to keep yourself busy while you wait for those rejection/acceptance letters!
Comment below or send me a line directly via email.
Keep writing! Keep
reading!
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